Creativity
Harriet Pellereau is co-founder and co-CEO of digital habits behaviour change company Mind over Tech. She spent 9 years working at award-winning tech education company Decoded. As Teaching Director, she worked closely with corporate clients to build and facilitate transformational courses for senior leadership teams, and led a team of 30+ data scientists to deliver data skills courses to Fortune 500 companies. Harriet has a background as a technologist and digital creative, and started her career developing 3D animations and web experiences for advertising clients, and interactive apps for media companies. As a parent, Harriet is on a mission to improve her own digital habits and to support her young children with theirs, to ensure technology is a positive influence in their lives.
Sarah Brin is a futurist and digital creativity specialist. Sarah specializes in interdisciplinary tech collaborations, and has directed programs for organizations including Sony Interactive Entertainment, Autodesk, George RR Martin's immersive technology company Meow Wolf, the European Union, SFMOMA, and others.
Her research interests include new economic models for creatives, humanist applications of technology, and playful interventions. You can learn more about her work at sarahbrin.com, goodafternoon.uk.
Nadia Piet is an independent designer, researcher, organizer, and cultural producer with a focus on AI/ML, data, tech, [digital] culture and creativity. She’s the founder of AIxDESIGN [a community of practitioners & living lab for beyond-corporate AI], holds an MA in Data-Driven Design, and explores playful & purposeful tech through freelance projects and self-initiated experiments. Over the past 10 years, she’s worked as Head of Creative Technology at DEPT [a global digital agency], design researcher for emerging technologies at Bit, and across roles and continents with organizations such as Hyper Island, Pi Campus, Forbes, UN, AWWWARDS, DECODED, MOBGEN | Accenture Interactive, Mozilla, and ICO.
Phil has been a practicing visual & interaction designer since 2001 and has experience designing across a variety of devices and platforms within non-profit, retail, advertising, and enterprise software organizations. He most recently served as an Experience Design Director at McKinsey & Company working with a variety of industries to transform and enhance their digital businesses and strategies. He is also the founder and organizer of the Design Futures Initiative which organizes the international Speculative Futures meetups and the PRIMER conference in the US and Europe. An educator and futurist, his events bring together designers and futurists from all over the world to teach and share strategies for designing for the future and the ethical challenges around emerging technologies.
Anthony Jeannot is a critically acclaimed stand-up comedian who has sold out shows around the world. He also host the Highbrow Drivel podcast where he and his comedy friends engage an array of experts in deep dive conversations.
Jess is a PhD student in the department of Information Science at CU Boulder. Jess received her Bachelor’s in Software Engineering from California Polytechnic State University. Her research foci include machine learning fairness, algorithmic bias, value tensions in sociotechnical systems, and the unintended consequences of rapid tech growth.
Follow Jess on Twitter @_jessiejsmith_ and www.radicalai.org
Eva Jäger is Assistant Digital Curator at Serpentine Galleries London and Co-Investigator of the Creative AI Lab with Mercedes Bunz. She is also one part of Studio Legrand Jäger, a multi-disciplinary creative practice researching design and technology together with Guillemette Legrand.
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Mercedes Bunz is Senior Lecturer in Digital Society at the Department of Digital Humanities, King's College London. Her last books is an open access publication on machine communication looking at interfaces (University of Minnesota Press/meson press 2019) written with Finn Brunton and Paula Bialski. Her last journal article is: ‘The calculation of meaning: on the misunderstanding of new artificial intelligence as culture’ in Culture, Theory and Critique.
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The Creative AI Lab website https://creative-ai.org/
